Psychoanalysis and Psychotherapy |
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PSYCHOANALYTIC AESTHETICS: THE BRITISH SCHOOLby Nicola Glover| Introduction | Chapter: 1 | 2 | 3 | 4 | 5 | 6 | 7 | Conclusion | Bibliography | Bibliography The place of publication is London, unless stated otherwise.
Abrams, M.H., The Mirror and the Lamp: Romantic Theory and the Critical Tradition, (1953)
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Bann, S., The Case for Stokes (and Pater), PN Review, 6, no. 1 (1978), 6-9 ed., and preface, Adrian Stokes 1902-1972: a Supplement ( with contributions from R. Wollheim, B. Nicholson, R. Read, E. Rhode, A. Forge, E. White, Colin St.
Bell, C., Dr Freud on Art, Dial, (April, 1925), 280-1
Benjamin, A., ed., The Lyotard Reader (Blackwell, 1989)
Benvenuto, B. and Kennedy, R., The Works of Jacques Lacan: An Introduction (1986)
Billig, and Burton-Bradley, The Painted Message (Cambridge, Massachusetts: Schenken, 1978)
Bion, W.R., Experiences in Groups (Tavistock, 1961) Learning From Experience (Tavistock, 1962) Elements of Psycho-Analysis (Tavistock, 1963) Transformations (Tavistock, 1965) Second Thoughts (Tavistock, 1967) Attention and Interpretation (Tavistock, 1970) All My Sins Remembered: another part of a life (Abingdon, 1985) The Long Weekend: 1897-1919 (Free Associations Books, 1986) A Memoir of the Future (Karnac, 1991)
Bion, F., ed., Bion in New York and São Paulo (Clunie Press, 1980) ed., Cogitations (Karnac, 1992)
Bloom, H., The Anxiety of Influence: A Theory of Poetry (1975)
Bollas, C., The Aesthetic Moment and the Search for Transformation, Annual of Psycho-Analysis, 6 (1978), 385-94 The Transformational Object, International Journal of Psycho-Analysis, 60 (1979), 97-107 Expressive Uses of the Counter-Transference, Contemporary Psychoanalysis, 19 (1983), 1-34 The Shadow of the Object (1987) Forces of Destiny (1989)
Borzello, A.L., and Rees, eds, The New Art History (Camden, 1986)
Brearley, M., Review of Marion Milners Suppressed Madness of Sane Men (1987), Journal of Child Psychotherapy, 15 (1989)
Bryson, N., ed., Calligram, Essays in New Art History from France (Cambridge, 1988) Tradition and Desire, from David to Delacroix (Cambridge University Press, 1984) Bush, M., The Problem of Form in the Psychoanalytic Theory of Art, Psychoanalytic Review, 54 (1967), 5-35
Carrier, D., All at Once, a Review of Three Essays on the Painting of our Time,
Adrian Stokes and the Theory of Painting, British Journal of Aesthetics, 13 (1973), 133-45
Coltart, N., "Slouching towards Bethlehem" ... or thinking the unthinkable in psychoanalysis, in Kohon (1986), pp. 185-99
Dewey, J., Art as Experience (Capricorn Books, New York, 1958. First published 1934)
Dickie, G., and Sclafani, R.J., Aesthetics, A Critical Anthology (New York, 1977)
Ehrenzweig, A., Unconscious Form-Creation in Art, British Journal of Medical Psychology, 21 (1948), and 22 (1949) The Origin of the Scientific and the Heroic Urge, International Journal of Psycho-Analysis, 30, 32 (1949) The Psychoanalysis of Artistic Vision and Hearing (1953) The Creative Surrender, American Imago, 14 (1957) Alienation versus Self-expression, The Listener, LXIII (Feb. 25th, 1960) The Hidden Order of Art, British Journal of Aesthetics, 1 (1961) A New Psychoanalytic approach to Aesthetics, British Journal of Aesthetics, 2 (1962), 301-317 The Pictorial Space of Bridget Riley, Art International, IX, 1 (Feb. 1965) The Hidden Order of Art (first pub.1967; repub. California University Press, 1971)
Eigen, M., The Area of Faith in Winnicott, Lacan and Bion, International Journal of Psycho-Analysis, 62 (1981) 413-33 Dual Union or Undifferentiation? A critique of Marion Milners view of the essence of Psycho-Creativeness, International Review of Psychoanalysis, 10 (1983), 415-428 Towards Bions Starting Point, International Journal of Psycho-Analysis, 66 (1985)
Elmhirst, S., Transitional Objects in Transition, International Journal of Psycho- Analysis, 61 (1980), 367-373
Fairbairn, W.R.D., A Prolegomena to a Psychology of Art, British Journal of Psychology, 28, (1937), 288-303 The Ultimate Basis of Aesthetic Experience, British Journal of Psychology, 29 (1938), 167-181 Psychoanalytic Studies of the Personality (1952)
Falck, C., Myth, Truth and Literature (Cambridge,1989)
Forge, A., Painting and the Struggle for the Whole Self, Artforum, 14 (1975)
Freud, S., The Standard Edition of the Complete Psychological Works of Sigmund Freud, eds. J. and A. Strachey, A. Freud, and A. Tyson (Hogarth), various dates
Friedman, L., Toward an Integration of Psychoanalytic and Philosophic Aesthetics,
Fuller, P., Art and Psychoanalysis (first pub.1980; second edition, Hogarth,1988) Marches Past (1986) Theoria: Art and the Absence of Grace (1988) Images of God (1991)
Gervais, D., Adrian Stokes and the Benignity of Form: Part One, Cambridge Quarterly, 10, no. 1 (1981), 40-64 Adrian Stokes and the Benignity of Form: Part Two, Cambridge Quarterly, 11 (1982)
Gombrich, E.H., The Story of Art (1950) Art and Illusion (fifth edition, Phaidon, 1987. First published 1960) Meditations on a Hobby Horse (Phaidon, 1963) Psychoanalysis and the History of Art, in B. Nelson, ed., Freud and the Twentieth Century (1958), pp. 182-293 and in Gombrich (1963). Freuds Aesthetics, Encounter, (January 1966), 30-40
Green, A., On Negative Capability, International Journal of Psycho-Analysis, 54 (1973) The Analyst, Symbolization and Absence in the Analytic Setting, International Journal of Psycho-Analysis, 56 (1975), pp. 1-22
Grinberg, L., ed., Introduction to the Work of Bion (Karnac,1985)
Grosskurth, P., Melanie Klein, her World and her Work, (Maresfield, 1985)
Grotstein, J., Inner Space, its dimensions and coordinates, International Journal of Psycho-Analysis, 59 (1978) ed., Do I Dare Disturb the Universe? (Karnac, 1981), W.R. Bion: A Voyage into the Deep and Formless Infinite, in Beyond Freud, ed., J. Reppen (Analytic Press, USA, 1985)
Harris-Williams, M., Underlying pattern in Bions A Memoir of the Future, International Review of Psycho-Analysis, 10 (1983), 75-86 The Long Weekend - a review, Journal of Child Psychotherapy 9 (1983), 69-79 The Tiger and O: a reading of Bions Memoir and Autobiography, Free Associations, 1 (1985), 33-56 and Waddell, M., The Chamber of Maiden Thought. Literary Origins of the Psychoanalytic Model of the Mind (1991)
Hanfling, O., ed., Philosophical Aesthetics (Blackwell Press and the Open University, (1992)
Hauser, A., The Philosophy of Art History (Northwestern University Press, Illinois, 1985. First pub. 1958)
Heimann, P., A Contribution to the Problem of Sublimation, International Journal of Psycho-Analysis, 23 (1942), 8-17 & Klein, M. and Money-Kyrle, eds., New Directions in Psychoanalysis (1955)
Hinshelwood, R.D., A Dictionary of Kleinian Thought (1989)
Hogg, J., ed., Psychology and the Visual Arts (1969)
Hughes, J., The Reshaping of the Psychoanalytic Domain (California and Oxford, 1990)
Isaacs, S., The Nature and Function of Phantasy, International Journal of Psycho- Analysis, 29 (1948), 73-97
Jacques, E., Death and the Mid-Life Crisis, International Journal of Psycho-Analysis,
Jones, E., The Theory of Symbolism, British Journal of Psychology, 9 (1916), 181-229
Kearney, R., The Wake of the Imagination: ideas of creativity in Western culture (1988) King, P., and Steiner, R., The Freud-Klein Controversies (Tavistock and Routledge, 1992)
Klein, M., Infantile Anxiety Situations Reflected in a Work of Art and the Creative Impulse, International Journal of Psycho-Analysis, 10 (1929), pp. 436-43 (and in Klein, 1988a) The Importance of Symbol-Formation in the Development of the Ego, International Journal of Psycho-Analysis, 11 (1930), pp. 24-39 (and in Klein, 1988a) The Psychoanalysis of Children (first pub. 1932, repub. Virago, 1989) A Contribution to the Psychogenesis of Manic-Depressive States, International Journal of Psycho-Analysis, 16 (1935), pp. 145-74 (and in Klein, 1988a) Mourning and its Relation to Manic-Depressive States, International Journal of Psycho-Analysis, 21 (1940), pp. 125-53 (and in Klein, 1988a) Notes on Some Schizoid Mechanisms, International Journal of Psycho-Analysis, 27 (1946), pp. 99-102 (and in Klein, 1988b) On Identification (1955), in New Directions in Psycho-Analysis, ed. Klein et al.; and in Klein (1988b) Our Adult World and its Roots in Infancy (1959) and in Klein (1988b) A Narrative of a Child Analysis (first pub.1961, repub. Virago, 1989) Some Reflections on the Oresteia (1963), in Klein (1988b) On the Sense of Loneliness (1963), in Klein (1988b) Love, Guilt and Reparation, 1921-1945 (Virago, 1988a) Envy and Gratitude, 1946-1963 (Virago, 1988b)
Koestler, A., The Act of Creation (Arcana,1989)
Kohon, G., The British School of Psychoanalysis: The Independent Tradition (1986)
Kris, E., Psychoanalytic Explorations in Art (New York, 1965)
Kristeva, J., Desire in Language: a Semiotic Approach to Literature and Art (Oxford,1980)
Kuhns, R., A Psychoanalytic Theory of Art (Columbia, 1983)
Lacan, J., Le Stade du Miroir (1949), in Écrits (Paris, 1966)
Langer, S.K., Philosophy in A New Key (Harvard, 1942) Feeling and Form (New York, 1953) Problems of Art (1957) Mind: An Essay in Human Feeling, 3 vols. (John Hopkins, 1967)
Laplanche, J., and Pontalis, J.B., The Language of Psycho-Analysis (Hogarth,1985)
Lewin, B.D., Sleep, the Mouth and the Dream Screen, Psychoanalytic Quarterly, 15, no. 4 (1946), 419-34 Inferences from the Dream Screen, International Journal of Psycho- Analysis, 29 (1948)
Likierman, M., The Clinical Significance of Aesthetic Experience, International Review of Psycho-Analysis, 16 (1989), 133-150
Lyotard, J.F., Beyond Representation, in The Lyotard Reader, ed. A. Benjamin (1989)
Marcuse, L, Freuds Aesthetics, Journal of Aesthetics and Art Criticism, 12 (1956), 16-17
Meltzer, D., Review of The Invitation in Art, by A. Stokes, International Journal of Psycho-Analysis, 46 (1965), 533-4 Sexual States of Mind (Clunie, 1973) Review of The Invitation in Art by A. Stokes, International Journal of Psycho- Analysis, 46 (1965), 534 The Kleinian Development (Clunie, 1978) The Kleinian Expansion of Freuds Metapsychology, International Journal of Psycho-Analysis, 62 (1981), pp. 177-184 and Harris-Williams, M., The Apprehension of Beauty (Clunie, 1988)
Milner, M., A Life of Ones Own ( first publ.1934, repub.Virago,1986) An Experiment in Leisure (first pub.1937, republ. Virago, 1988) On Not Being Able To Paint (first pub.1950; second edition with appendix, 1957; republ., Heinemann, 1989) Eternitys Sunrise( Virago, 1987) The Suppressed Madness of Sane Men: collected papers, 1942-1986 (Routledge, 1987) Some Aspects of Phantasy in Relation to General Psychology, International Journal of Psycho-Analysis, 26 (1945), pp. 143-152; republished in Milner (1987) Aspects of Symbolism in the Comprehension of Not-Self, International Journal of Psycho-Analysis, 33 (1952), pp. 181-95 The Role of Illusion in Symbol-Formation (1955), in New Directions in Psychoanalysis, ed. M. Klein et al.; republished in Milner (1987), pp. 83-113 Psychoanalysis and Art (1956), in Milner (1987), pp. 216-233. The Concentration of the Body (1960), in Milner (1987), pp. 234-240 The Hidden Order of Art (1967) in Milner (1987), pp. 241-245
Mitchell, W.J.T., Iconology, Image, Text, Ideology (Chicago, 1986).
Money-Kyrle, R., Mans Picture of His World (Duckworth, 1961)
Nelson, B., ed., Freud and the Twentieth Century (Allen and Unwin, 1958)
Niederland, W.G., Clinical Aspects of Creativity, American Imago, 24 (1967), 6-33 OPray, M., Adrian Stokes and Film Aesthetics, Screen, 21, no.4 (1980-1) Pater, Stokes and Art History, in The New Art History, edited by A. Rees and Borzello (1986)
O Shaughnessy, E., A Commemorative Essay on Bions Theory of Thinking, Journal of Child Psychotherapy, 7 (1981), 181-92 Parsons, M., Marion Milners "Answering Activity" International Review of Psychoanalysis, 17 (1990)
Pater, W., The Renaissance ([1873] Oxford paperback edition, 1986) Appreciations (1895 ) Miscellaneous Studies ([1895],1898 reprint) Imaginary Portraits ([1887] 1925 reprint) The Child in the House (1885) in Miscellaneous Studies Imaginary Portraits 2: An English Poet, ed. M. Ottley, Fortnightly Review, cxxix, April 1(1931)
Peat, D., and Bohm, D., Science, Order and Creativity (1989)
Penny, N., Meltings, a review of Painting as an Art, by R. Wollheim, London Review of Books, 10, no. 4, (1988), 19-20
Phillips, A., Winnicott (Fontana Modern Masters, 1988)
Phillips, W. ed., Art and Psychoanalysis (New York, Criterion Books, 1957)
Pilling, J., Adrian Stokes: Inside Out, in his Autobiography and Imagination: Studies in Self-Scrutiny (Routledge, 1981)
Podro, M., The Manifold in Perception, Theories of Art from Kant to Hildebrand (Oxford 1972) The Critical Historians of Art (Yale, 1982) review of Art and its Objects by R.Wollheim, Burlington Magazine, vol. cxxiv, no. 947, Feb 1982, pp. 100-102
Cezanne, International Review of Psychoanalysis, 17 (1990), 402-409
Rank, O., Art and Artist (Norton, 1989)
Rayner, E., The Independent Mind in British Psychoanalysis (Free Associations Books, 1991)
Read, H., Psychoanalysis and the Problem of Aesthetic Value, International Journal of Psychoanalysis, 32 (1951), 73-82
Read, R., The Evocative Genre: a Study of the Descriptive Prose in the Works of Hazlitt, Ruskin, Pater and Stokes (unpublished doctoral dissertation, the University of Reading, 1982)
Rees, A.L., and Borzello, eds., The New Art History (Camden, 1986)
Rhode, E., Memories of Adrian Stokes, The Listener, vol. 90, no. 2333 (December 13, 1973), 812-15
Rickman, J., The Nature of Ugliness, International Journal of Psycho-Analysis, 48 (1940)
Riviere, J., The Unconscious Phantasy of an Inner World reflected in examples from Literature, International Journal of Psycho-Analysis, 33 (1952)
Rodrigue, E., Notes on Symbolism, International Journal of Psycho-Analysis, 37 (1956), 147-58
Rose, G., The Creativity of Everyday Life, in S. Grolnick and L. Barkin, eds., Between Reality and Fantasy (1978) The Power of Form (New York, 1980)
Ruskin, J. Praeterita (1849, Oxford, 1989)
Rycroft, C., Symbolisation and its Relationship to the Primary and Secondary Processes, International Journal of Psycho-Analysis, 37 (1956), 137-146 Beyond the Reality Principle, International Journal of Psycho-Analysis, 43 (1962), and also in his Imagination and Reality Psychoanalysis and the Literary Imagination, in W. Phillips, ed., Art and Psychoanalysis (New York, Criterion Books, 1957) Imagination and Reality (1968a) ed., A Critical Dictionary of Psychoanalysis (1968b) Psycho-Analysis and Beyond (1985)
Sachs, H., The Creative Unconscious (New York, 1942) Beauty, Life and Death, American Imago, 1 (1940), 81-133
Sarup, M., Post-structuralism and Post-modernism, an Introductory Guide (1988) Sausmarez, de, M., Bridget Riley (Studio Vista, 1970)
Schapiro, M., Leonardo and Freud: An Art Historical Study, Journal of the History of Ideas, 17 (1953), 303-36
Segal, H., A Psychoanalytic Approach to Aesthetics, International Journal of Psycho- Analysis, 33 (1952), 196-207, and in The Work of Hannah Segal Notes on Symbol Formation, International Journal of Psycho-Analysis, 38 (1957), 391-7, and in The Work of Hannah Segal An Introduction to the Work of Melanie Klein (Karnac, 1973) Delusion and Artistic Creativity, International Review of Psycho-Analysis, vol. I, part1 (1974), reprinted in The Work of Hannah Segal Art and the Inner World, Times Literary Supplement, (July 18, 1975) Melanie Klein (Harmondsworth, Penguin Books, 1981) Joseph Conrad and the Mid-life Crisis, International Review of Psychoanalysis, 11 (1984), 3-9 The Work of Hannah Segal (Free Associations, 1986) Dream, Phantasy and Art (Routledge, 1991)
Sharpe, E., Certain Aspects of Sublimation and Delusion, International Journal of Psycho-Analysis, 11 (1930), 12-23 Similar and Divergent Unconscious Determinants Underlying the Sublimation of Pure Art and Pure Science, International Journal of Psycho-Analysis, 16 (1935), 186-202
Silver, A.S., A Psycho-Semiotic Model: an interdisciplinary search for a common structural basis for psychoanalytic symbol-formation and the semiotic of C.S. Peirce, in Grotstein, ed., Do I Dare Disturb The Universe?
Spector, J.J., The Aesthetics of Freud: a Study in Psychoanalysis and Art (1972)
Spitz, E.H., Art and Psyche (Yale, 1985)
Stange, G., Art Criticism as a Prose Genre, in The Art of Victorian Prose, eds., G. Levine and M. Madden, (Oxford, 1968)
Stokes, A., (Note: a full bibliography can be found in Volume III of The Critical Writings of Adrian Stokes) The Quattro Cento (Faber, 1932) Review of The Psychoanalysis of Children, by M. Klein, Criterion, 12 (April, 1933) Stones of Rimini (Faber, 1934) Colour and Form (Faber, 1937, rev. 1950) Venice: an Aspect of Art (Faber, 1945a) Concerning Art and Metapsychology, International Journal of Psycho-Analysis, 36 (1945b) Inside Out (Faber, 1947) Art and Science (Faber, 1949) Smooth and Rough (Faber, 1951) Michelangelo (Tavistock, 1955) Form in Art: A Psycho-analytic Interpretation (1955), in New Directions in Psycho-analysis, eds., M. Klein, P. Heimann, R. Money-Kyrle. Reprinted in Stokes (1973) Greek Culture and the Ego (Tavistock, 1958) Three Essays on the Painting of Our Time (Tavistock, 1961) Painting and the Inner World (Tavistock, 1963, including a dialogue with Donald Meltzer) Living in Ticino, 1947-50, Art and Literature, 1 (March, 1964) The Invitation in Art (Tavistock, 1965) Reflections on the Nude (Tavistock,1967) The Image in Form, British Journal of Aesthetics, vol. 4 (July, 1966); rev. and reprinted in Reflections on the Nude A Game That Must Be Lost: Collected Papers, edited with an introduction by E. Rhode (Cheadle, Carcanet Press, 1973) The Critical Writings of Adrian Stokes, ed., L. Gowing, 3 vols (1978) Adrian Stokes 1902-1972: a Supplement, edited and with a preface by S. Bann. Includes contributions from R. Wollheim, B. Nicholson, R. Read, E. Rhode, A. Forge, E. White, Colin St. John, P. Leech, D. Carrier, P. Smith, and P. Robinson, PN Review, 15, vol. 8, no. 1 (1980), 30-54 With All The Views: the Collected Poems of Adrian Stokes (Manchester, Carcanet New Press, 1981) Adrian Stokes 1902-72, a retrospective (Arts Council, 1982)
Storr, A., The Dynamics of Creation (1972)
Sutherland, J.D., Psycho-analysis and Contemporary Thought (1956)
Waddell, M. and Williams, M., The Chamber of Maiden Thought. Literary Origins of thePsychoanalytic Model of the Mind (Routledge, 1991)
Winnicott, D.W.W., Transitional Objects and Transitional Phenomena, International
Wollheim, R., F.H. Bradley (Peregrine, 1969. First published by Penguin in 1959) A Critic of Our Time, rev. of Greek Culture and the Ego, by Adrian Stokes, Encounter (April 1959), 41-44 Reflections on Art and Illusion, British Journal of Aesthetics, no. 3 (January 1963), 15-37. Revised version in Wollheim (1974) Art and its Objects, second edition (Cambridge, 1985) Freud and the Understanding of Art, British Journal of Aesthetics, vol. 10, no. 3 (July 1970), 211-24; revised, Wollheim (1974) Adrian Stokes, introduction to The Image in Form: Selected Writings of Adrian Stokes (1972), reprinted in Wollheim (1974), pp. 315-35
Memories of Adrian Stokes, The Listener, vol. 90, no. 2333 (December13, 1973), pp. 821-815 On Art and the Mind: Essays and Lectures (Harvard University Press, 1974) "Adrian Stokes: Critic, Painter Poet, PN Review 15, vol. 7, no. 1 (1980), pp. 31-7 Painting as an Art (Thames and Hudson, 1987)
Wright, E., Psychoanalytic Criticism (New Accents, 1987)
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