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PSYCHOANALYTIC AESTHETICS: THE BRITISH SCHOOL

by Nicola Glover

| Introduction | Chapter: 1 | 2 | 3 | 4 | 5 | 6 | 7 | Conclusion | Bibliography |

Bibliography

The place of publication is London, unless stated otherwise.

 

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(December 13, 1973), 812-15

 

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(1940)

 

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Ideas, 17 (1953), 303-36

 

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Analysis, 33 (1952), 196-207, and in The Work of Hannah Segal

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(1957), 391-7, and in The Work of Hannah Segal

An Introduction to the Work of Melanie Klein (Karnac, 1973)

‘Delusion and Artistic Creativity’, International Review of Psycho-Analysis, vol. I,

part1 (1974), reprinted in The Work of Hannah Segal

Art and the Inner World’, Times Literary Supplement, (July 18, 1975)

Melanie Klein (Harmondsworth, Penguin Books, 1981)

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11 (1984), 3-9

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Psycho-Analysis, 11 (1930), 12-23

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Pure Art and Pure Science’, International Journal of Psycho-Analysis, 16 (1935),

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Stokes, A., (Note: a full bibliography can be found in Volume III of The Critical Writings

of Adrian Stokes)

The Quattro Cento (Faber, 1932)

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Stones of Rimini (Faber, 1934)

Colour and Form (Faber, 1937, rev. 1950)

Venice: an Aspect of Art (Faber, 1945a)

‘Concerning Art and Metapsychology’, International Journal of Psycho-Analysis, 36 (1945b)

Inside Out (Faber, 1947)

Art and Science (Faber, 1949)

Smooth and Rough (Faber, 1951)

Michelangelo (Tavistock, 1955)

‘Form in Art: A Psycho-analytic Interpretation’ (1955), in New Directions in

Psycho-analysis, eds., M. Klein, P. Heimann, R. Money-Kyrle. Reprinted in Stokes (1973)

Greek Culture and the Ego (Tavistock, 1958)

Three Essays on the Painting of Our Time (Tavistock, 1961)

Painting and the Inner World (Tavistock, 1963, including a dialogue with Donald Meltzer)

‘Living in Ticino, 1947-50’, Art and Literature, 1 (March, 1964)

The Invitation in Art (Tavistock, 1965)

Reflections on the Nude (Tavistock,1967)

‘The Image in Form’, British Journal of Aesthetics, vol. 4 (July, 1966); rev. and

reprinted in Reflections on the Nude

A Game That Must Be Lost: Collected Papers, edited with an introduction by E.

Rhode (Cheadle, Carcanet Press, 1973)

The Critical Writings of Adrian Stokes, ed., L. Gowing, 3 vols (1978)

‘Adrian Stokes 1902-1972: a Supplement’, edited and with a preface by S. Bann.

Includes contributions from R. Wollheim, B. Nicholson, R. Read, E. Rhode, A.

Forge, E. White, Colin St. John, P. Leech, D. Carrier, P. Smith, and P. Robinson,

PN Review, 15, vol. 8, no. 1 (1980), 30-54

With All The Views: the Collected Poems of Adrian Stokes (Manchester, Carcanet New Press, 1981)

Adrian Stokes 1902-72, a retrospective (Arts Council, 1982)

 

Storr, A., The Dynamics of Creation (1972)

 

Sutherland, J.D., Psycho-analysis and Contemporary Thought (1956)

 

Waddell, M. and Williams, M., The Chamber of Maiden Thought. Literary Origins

of thePsychoanalytic Model of the Mind (Routledge, 1991)

 

Winnicott, D.W.W., ‘Transitional Objects and Transitional Phenomena’, International

Journal of Psycho-Analysis, 34 (1953), 89-97; also in Winnicott (1958,1971)

Collected Papers: Through Paediatrics to Psychoanalysis (1958)

‘The Location of Cultural Experience’, International Journal of Psycho-Analysis,

48 (1966), pp. 368-72; and in Winnicott (1971)

Playing and Reality ( Pelican re-issue, 1988 [1971])

Human Nature (1988)

The Spontaneous Gesture: Selected Letters of D.W.W.Winnicott, ed., F. Rodman

(Harvard, 1987)

 

Wollheim, R., F.H. Bradley (Peregrine, 1969. First published by Penguin in 1959)

‘A Critic of Our Time’, rev. of Greek Culture and the Ego, by Adrian Stokes,

Encounter (April 1959), 41-44

‘Reflections on Art and Illusion’, British Journal of Aesthetics, no. 3 (January 1963), 15-37. Revised version in Wollheim (1974)

Art and its Objects, second edition (Cambridge, 1985)

‘Freud and the Understanding of Art’, British Journal of Aesthetics, vol. 10, no. 3 (July 1970), 211-24; revised, Wollheim (1974)

‘Adrian Stokes’, introduction to The Image in Form: Selected Writings of Adrian

Stokes (1972), reprinted in Wollheim (1974), pp. 315-35

‘Gioivanni Morelli and the Origins of Scientific Conoisseurship’, in Wollheim (1974)

Memories of Adrian Stokes’, The Listener, vol. 90, no. 2333 (December13, 1973),

pp. 821-815

On Art and the Mind: Essays and Lectures (Harvard University Press, 1974)

"Adrian Stokes: Critic, Painter Poet’, PN Review 15, vol. 7, no. 1 (1980), pp. 31-7

Painting as an Art (Thames and Hudson, 1987)

 

Wright, E., Psychoanalytic Criticism (New Accents, 1987)

 

 

 

 

 

 

     
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